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Doctor No CD
Music by Monty Norman 1962
Pris: 298:- US :
$29
Nr :
007- 20010
THE ORGINAL SOUNDTRACKDr.
No: 1962
Original Motion Picture Soundtrack [SOUNDTRACK]
John Barry, James Bond Films (Related Recordings)
This is a surprisingly good soundtrack...considering that
many of the better pieces of the film, as such the breezy
instrumental version of Underneath the Mango Tree at the
film's finale, was left out.
Aside from the theme, here are some of the
highlights...Underneath the Mango Tree, a beautiful song
heard in the movie, and another version sung by Sean
Connery himself. There are also several instrumental
versions of the song on the soundtrack that are also
great. Other songs like "Three Blind Mice",
"Jamaica Jump Up" are also good, and best
played for laughs.
The Island Speaks is an ominous piece that will have you
on the edge of your seat. And there is also versions of
the original James Bond theme that Norman wrote before
Barry rearranged it (whatever THAT meant), one of which
is as slinky and sexy as a theme can be.
The downers...well, Dr. No's Fantasy, whatever that was.
And Audio Bongo...strictly filler.
Dr. No is a very good soundtrack overall, and you won't
be disappointed.
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From Russia With Love CD
Music by John Barry 1963
Pris: 298:- US : $29
Nr :
007- 20020
THE ORGINAL SOUNDTRACK
From Russia With Love: 1963
Original Motion Picture Soundtrack [SOUNDTRACK]
This is the first Bond score John Barry wrote, and began
a legacy - Barry went on to write another 11 scores for
the Bond franchise.
In his score, Barry clearly captures the spirit of Russia
through his remarkable talent of instrumental writing.
Although Lionel Bart wrote the theme tune, Barry arranged
the music for orchestra. He effortlessly blends this tune
into the score, often interweaving it with the 'James
Bond theme' (for example in 'Opening Titles', 'Bond Meets
Tania' and 'Death of Grant').
There are plenty of atmospheric tracks on the album,
including 'Golden Horn', a light track with many strings
playing pizzicato; 'Girl Trouble', dramatic music
accompanying the famous gypsy girl fight; 'Guitar Lament', a sorowful piece featuring prominently the
accoustic guitar; and 'Spectre Island', when an eerie
melody played by the harp and piano is introduced.
The CD/film also features Barry's first use of the '007' theme, one that he would use subsequently in
'Thunderball', 'You Only Live Twice' and 'Moonraker'.
My personal favourite of the album (and I found it
difficult to decide because all the tracks are of high quality) was 'James Bond with
Bongos'. It was great to
hear a different rendition of the infamous James Bond theme, this time with the bongo's percussive influence
jazzing the piece up! In short, I thoroughly recommend
this album to anyone; Bond fan or non Bond fan alike! I'm
certainly glad I bought it!
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Goldfinger CD
Music by John Barry 1964
Goldfinger Pris: 298:-
US : $29
Nr :
007- 20030
THE ORGINAL SOUNDTRACK
Goldfinger: 1964 Original Motion Picture
Soundtrack [SOUNDTRACK]
The soundtrack to Goldfinger is a famous one, and when it
was released in 1964 it selled real good. Just like any
other Barry-Bond-soundtrack it is a great CD, but still
not one of the best. Barry didn´t found a perfect
balance with action-songs, beatufil songs and exiting
songs before his next Bond-score, Thunderball. The
Goldfinger soundtrack doesn´t have a great balance.
The Main Title song Goldfinger is of course a superb one,
and you can say nothing bad about that one. Probebly did
John Barry understand how good this song was, cause in
the soundtrack he works alot with it. In 5 five songs can
we hear instrumental versions of the title song, both in
very beatufil music (like in "Alpine Drive")
and something like action-music (in "Dawn Raid on
Fort Knox").
The entire instrumental version of the title track is not
so good, and it "steals" some of the great
tunes from "Dawn Raid on Fort Knox", but it
doesn´t fit in the instrumental song.
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Thunderball CD
Music by John Barry 1965
Pris: 298:- US : $29
Nr :
007- 20040
THE ORGINAL SOUNDTRACK
Thunderball: Original Motion Picture Sound
Track [SOUNDTRACK] 1965
This is one of the best james Bond soundtracks by John
Barry. The Tom Jones' vocal has real power. A spectacular
and haunting score. It really has that 'Bond Sound.'
Highly recommended!
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You Only Live Twice CD
Music by John Barry 1967
Pris: 298:- US : $29
Nr :
007- 20050
THE ORGINAL SOUNDTRACK
You Only Live Twice: 1967
Original Motion Picture Soundtrack [SOUNDTRACK]
John Barry, Nancy Sinatra, James Bond Films (Related Recordings)
In, my opinion, this is one of Barry's best scores, along
with Goldfinger and On Her Majesty's Secret Service. The
music beautifully complements Bond's mission in Japan,
and stands on its own as great music too. I would break
down the tracks as follows: GREAT- "Fight at Kobe
Dock- Helga", "Mountains and Sunsets",
"Bond Averts World War Three", and the end titles. GOOD- "Capsule in Space", "The
Death of Aki", "The Wedding", and
"James Bond- Astronaut". OKAY: The title song,
"A Drop in the Ocean", and "Countdown for
Blofeld". The worst track was "Tanaka's
World", which was boring and repetitive. I like all
the music on this CD except that track. My main gripe is
that they didn't include the music from the Little Nellie
helicopter dogfight. Then I would give this CD more than
5 stars (if that were possible).
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On Her Majesty's Secret
Service CD
Music by John Barry 1969
Pris: 298:- US : $29
Nr :
007- 20060
THE ORGINAL SOUNDTRACK
On Her Majesty's Secret Service: [SOUNDTRACK]
1969
John Barry, James Bond Films (Related Recordings)
John Barry's music for "On Her Majesty's Secret
Service" ("OHMSS")
is clearly the best overall score in the entire Bond
series. "Golfinger" is a
close second largely because of a knockout song, but
"We Have All the
Time in the World," especially as sung by Louis
Armstrong,
is itself a treasure and Barry's instrumental score is a
bit better here.
The soundtrack on cd as released by Capital/EMI is
acceptable except for
the expected missing cuts. As with all of the early Bond soudtracks,
the cds are reprints of the original recordings which,
because of the
limitations of LPs, could only include so much music.
Some of these "missing" tracks have appeared in
later recordings such
as Nic Raine's "Bond Back in Action," but true
Bond and Barry fans still
yearn for the original recordings or Barry conducted updates.
Barry broke with tradition with "OHMSS" by
using an instumental for
the title (lyrics were written but never used) making
this a unique score.
And that main theme remains definitive...it is Bond, and
even though
Sean Connery is missing in this film, Barry is quick to
give a musical
reminder of what we are about to experience. If any of
the Bond scores
deserves an expanded edition (and several do:
"Goldfinger," "Thunderball,"
"You Only Live Twice,") "OHMSS"
should be at the top of the list. Still,
the score in the film is first rate, and this soudtrack
recording will do quite nicely.
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Diamonds Are Forever CD
Music by John Barry 1971
Pris: 298:- US : $29
Nr :
007- 20070
THE ORGINAL SOUNDTRACK
Diamonds Are Forever: Original Motion Picture
Soundtrack [SOUNDTRACK] 1971
The good news with "Diamonds Are Forever"
(1971) was that Sean Connery had returned as 007, John
Barry was back to do the music, and Shirley Bassey, again, was signed to do the title
song. It was Connery's
last appearance as James Bond with the Broccoli-Saltzman
production company, and that was the bad news. Barry
teamed with Don Black to produce one of the best songs in
the Bond cycle, but like "You Only Live Twice,"
and "We Have All the Time in the World,"
"Diamonds Are Forever" broke from the brash
model of "Goldfinger" and presented a more
sultry tune. Bassey demonstrated her versatility in this
fine performance. The title's main theme provided the
musical framework for much of the instrumental score, but
two other themes also emerged, a campy and sinister theme
for Mr. Wint and Mr. Kidd, and something of a variation
on Barry's "Space March" from "You Only
Live Twice." The score worked well on the screen,
and has proven to be one of the most enduring soundtracks. Clearly, the key to the success of this
score is the main theme from the title song. A major part
of the music flows from a variety of interpretations of
that theme including a subtle and interesting combination
with the Norman-Barry James Bond Theme in "Bond
Meets Bambi and Thumper." Two cuts that were not
included on the original soundtrack appear on the Nic
Raines "Bond Back in Action" ("Mr. Wint
and Mr. Kidd" and "Blofeld's Laser"), but
the music contained in them is pretty well represented on
the soundtrack. While the score seems a bit less dynamic
than earlier Barry entries to the Bond cycle, the title
song and theme are important and delightful additions.
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Live and Let Die CD
Music by George Martin 1973
Pris: 298:- US : $29
Nr : 007- 20080
THE ORGINAL SOUNDTRACK
Live and Let Die [SOUNDTRACK] 1973
George Martin, Wings, Paul McCartney, James Bond Films (Related
Recordings)
Live and Let Die" (1973) introduced a new Bond,
Roger Moore, and a new musical team, Paul McCartney and
Wings and former Beatle's producer, George Martin, to set
the tone. The primary focus here was to produce a hit
title with Paul and Linda McCarney and Wings. Martin
simply came with the deal. The title remains one of the
most dramatic and best songs of the series, and was
especially striking with Maurice Binder's amazing opening
and end titles. George Martin's score included a
foundation based on the James Bond theme and the title song, but he also introduced a fine theme for
Solitaire,
and interesting island music for "Baron Samedi's
Dance of Death" and "Sacrifice." Without
McCartney and Wings, George Martin would not have sufficed, but together they produced one of the best
non-Barry soundtracks.
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The Man with The Golden Gun CD
Music by John Barry 1974
Pris: 298:- US : $29
Nr : 007- 20090
THE ORGINAL SOUNDTRACK
The Man With The Golden Gun: 1974
(1974 Film): Original Motion Picture Soundtrack
[SOUNDTRACK]
James Bond Films (Related Recordings), John Barry
THE MAN WITH THE GOLDEN GUN is a very underrated
soundtrack. This is a very good CD. John Barry finally
put an album together based mostly on the background score. Barry did not put an album out like this since his
excellent YOU ONLY LIVE TWICE. The main theme is quite a
catchy tune and is very recognizable to anyone who has
seen the film. THE MAN WITH THE GOLDEN GUN has started to
gather a small cult following. It's a Bond film with a
comic slant that has all the elements of any good Bond
film. Somehow the film looks like a very minor entry
compared to the rest of the series. Yet that very fact
gives it a unique and curious appeal. It is actually a
very likable and entertaining film. One of the film's
strengths is John Barry's score, which gives Bond a whole
new slant. If you like the film you should like this CD
because it covers most of the film's sequences from start
to finish. This CD covers the creative music from
Scaramanga's fun house, embodies several passages of the
James Bond Theme and contains a great oriental flavor throughout. Highly
recommended.
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The Spy Who Loved Me CD
Music by Marvin Hamlisch 1977
Pris: 298:- US : $29
Nr : 007- 20100
THE ORGINAL SOUNDTRACK
The Spy Who Loved Me [SOUNDTRACK] 1977
For Albert R. Broccoli's tenth James Bond film, The Spy
Who Loved Me, John Barry was unavailable to score the
film. Marvin Hamlisch came in to bring a fresh new sound
to the World of James Bond and he certainly did! The
score for the film may sound dated by today's standards
since it features many of those familiar 70's sounds and
instruments. However, the score still holds up to be one
of the best non-Barry James Bond music compositions.
Goldfinger defines the Bond sound of the 1960s. A View to
a Kill defines the Bond sound for the 1980s, and
GoldenEye for the 1990's. But it is The Spy Who Loved Me
which defines the Bond sound for the 1970's. My only
complaint on this score is some of the music has been
altered or changed from the film version to this CD
version. For example, Bond 77 in the movie is a lot more
enjoyable than on this score. And where on earth is the
rest of that great music from when Bond and Anya are at
the pyramids? Hopefully EMI will release a special
version of the score with the original music. Until then,
as Bond say's in The Spy Who Loved Me, "This was
only intended to wet our appetites." It sure did wet mine.
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